Abstract – That Rapper

Abstract – That Rapper has been making music in the Charleston area for 7 long years, and has just recently released his first solo EP Mosaic. A 20 minute listen, Mosaic is a great introduction to his style.

Abstract’s overall message of positivity over a slew of boom bappy beats channels the golden era of hip hop in the 90s. A lot of the music has a dated feel to it, but it’s still pretty easy to listen to and doesn’t sound out of place with the current scene.


Abstract hip hop is a type of music that combines elements of traditional hip hop with experimental and avant-garde sounds. It is characterized by its unconventional production techniques, abstract and surreal lyrical content, and its use of samples from a wide range of sources.

Abstract artists often incorporate elements of jazz, funk, soul, and electronic music. They also frequently use spoken word and poetry to express their ideas. This style of music has gained popularity in the underground hip hop scene since the late 1990s.

The genre is often viewed as an alternative to mainstream rap and its conventions, such as the use of braggadocio or the frequent depiction of everyday problems. However, it also uses more sophisticated language and extensive metaphors to convey its message. It is considered to be a form of progressive hip hop, which is a genre that focuses on sociological definitions of inequalities and encourages knowledge dissemination while paving the way for social change.

A typical hip hop song consists of a rhythmic rap by a rapper, accompanied by an instrumental track called a ” beat”. This may be performed by a DJ, created by a producer, or performed by one or more instrumentalists. The beat may be built up from a single drum sample, or it can consist of a series of drum hits.

Historically, hip hop has been characterized by its heavy use of percussion. Most contemporary hip hop songs use drum samples from a variety of sources, including funk and soul recordings. In addition to percussion, beats often feature other sounds, such as pianos and synthesizers.

In the early 2000s, the underground hip hop scene began to develop a style that was referred to as abstract hip hop. It eschewed many of the conventions of traditional hip hop music and focused on more abstract themes, such as existentialism or social institutions.

This style of rap music is characterized by its use of complex lyrics and its extensive metaphors, which can be difficult to understand. Its slick production is sometimes criticized for its lack of creativity, but its satirical approach to mainstream hip hop has earned it a large following among fans and critics alike.


Abstracthiphop is a distinct style of Hip Hop that eschews many of the conventions of the genre. Lyrically, artists tend to focus on more abstract ideas such as existentialism or social institutions rather than braggadocio. Musically, Abstract Hip Hop typically features unconventional beats.

The origins of abstracthiphop are difficult to pinpoint. However, it is important to understand that hip hop has been around for a long time and has developed a number of subgenres over the years. These include trap, grime, gangsta rap, rap rock (or nu metal), crunk, chillhop, bounce, and mumble rap.

It is also important to understand that the roots of Hip Hop can be traced back to the early 1970s. This was a time when black youth were struggling with the question of whether to assimilate into white society.

As a result, the formation of hip hop took place in and around black performative spaces and was fueled by the dynamic, creative and generative cultural energies that circulated among Black youth during this period.

Furthermore, hip hop is a cultural form that is heavily influenced by black diasporic traditions of expressive performance. These are a complex and pervasive expression of contemporary black subjectivity, which crystallized in 1970s New York City and proliferated throughout socially marginalized youth communities.

The ethos of hip hop issues from dynamic black diasporic connections that are simultaneously untethered and binding. It is situated at the liminal space between late modernism and postmodernism; it embraces contradiction by privileging and undermining notions of what is real; it draws from a plurality of black aesthetic traditions that get molded through processes of recuperative rootedness in local specificities and expansive mobility across time and space.

This ethos is rooted in a principle of productive consumption, embracing individual and communal entrepreneurship. It also involves excessive publicity or promotion–what affiliates call “hype”–as well as a commitment to a politics of action and loyalty.

While this ethos has been debated extensively, scholars have generally agreed that it is central to the origins of hip hop. This paper takes an anthropological approach to examining the ethos of hip hop by exploring the relationship between the genre and black diasporic traditions of expressive performance.


Abstract hip hop is a genre of music that blends elements of hip hop with experimental and avant-garde sounds. It is characterized by unconventional production techniques, abstract and surreal lyrical content, and the use of samples from a wide range of sources.

The art of abstract hip hop is not easy, and the best examples of this are usually limited to a small number of albums or singles. However, there are many artists who have produced excellent abstract pieces, and these should be considered by anyone interested in a more abstract and sophisticated approach to rap music.

Paraffin, by billy woods and ELUCID is an excellent example of how abstract hip hop can be accomplished in an album format. The dense lyrical constructions and the high level of production make this a must have for fans of ‘experimental/abstract’ Hip Hop.

In addition to the lyrical masterpieces, this album has some of the most innovative and creative beats we’ve heard in some time, making it a perfect choice for any abstract fan.

This album may not be as accessible or straightforward as some of the other entries on this list, but the quality of the beats and the cleverness with which they are paired with the abstract lyrical production is unsurpassed. The most notable tracks include the’smart’ and’memorable’ titles above, which combine the eerie ambience of abstract hip hop with the aforementioned’stunning’ and’semi-abstract’ lyrical feats to create a truly immersive listening experience.

It is a shame that so few people actually listen to this kind of music, but it has become increasingly more mainstream in recent years as a result of the rise of alternative media. This is especially true of the internet, where a wealth of information can be easily obtained through search engines and blogs, and where fans of this kind of music are able to learn more about it than ever before.

The ‘abstract’ tag has a long history, and the most famous early practitioners of the style were DJ Shadow and Prince Paul, who combined hip hop with electronic dance music, sampling a range of sounds and rhythms from all over the world to produce a unique and original sound. This is an important aspect of Abstract Hip Hop, as it allows artists to experiment with different rhythms and instruments to create a new style.


Abstract hip hop is a style of rap music that combines elements of funk, jazz, soul and electronic music. It is considered experimental and avant-garde and is usually associated with the underground hip hop scene. It is characterized by unconventional production techniques, abstract and often surreal lyrical content, and a wide use of samples from a variety of sources.

The roots of hip hop can be traced to the 1970s in New York City, where DJs and MCs began to create a new genre of musical expression that combined styles from many different cultures. The early rap artists used vocal styles and storytelling traditions from African American and diaspora music, as well as oratorical techniques such as signifyin’, chanting and jazz poetry. In addition, DJs and MCs developed turntablist techniques such as scratching and beatmatching that influenced the genre’s evolution.

Disco music was another influential genre, as it emphasized the importance of DJs and their ability to create mixes for dancers. It also included a variety of instrumental loops and tracks that were widely available on vinyl records. These loops were commonly used by MCs to create their music.

As the 1980s progressed, disco music’s popularity diminished and other styles of music began to take over. These included a number of popular subgenres that had been inspired by the earlier style, such as go-go and techno.

During this time, several new movements emerged in Europe, most notably French hip hop, where artists such as Booba, Kaaris, JuL, Gims, Freeze Corleone and Ziak fought to innovate and explore new sounds. Some of these artists even traveled to other countries to record music.

The early 1990s saw a resurgence of hip hop in Europe, particularly in the Netherlands and France, where rappers such as Extince, Osdorp Posse and Postmen were prominent. Artists in other countries such as Italy, Poland and Romania started to produce their own hip hop styles.

As a result of this, many mainstream rappers branched out from the more traditional hip hop style into styles that were more esoteric and complex. This resulted in the creation of a wide range of genres, including glitch hop and wonky hip hop. The popularity of these genres led to a number of specialized hip hop scenes in the UK, USA and other countries.

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